Firdaus
Price on Request
Origins
The Ashwamedha horse: in Vedic ritual, a stallion loosed for a year, every land it crossed unchallenged claimed by its king . Above him the Pegasus sprang from Medusa's blood, struck Mount Helicon to release the Hippocrene, the spring of inspiration, and was finally set among the stars, his flight made permanent. The Ashwamedha horse: in Vedic ritual, a stallion loosed for a year, every land it crossed unchallenged claimed by its king. Between them, lapis holds three minerals. Lazurite opens the third eye, calcite awakens the mind, pyrite turns thought into reality. The shape an inverted Trikona (Triangle) hold and directs this energy.
Sovereignty, made real.
Worn, it asks no permission to enter a room. It walks in already, quietly, unchallenged.
Making
Rearing horses sculpted in wax by hand and re-cut until stillness looks mid-stride. Each rose-cut Himalayan crystal is individually bezel-set, and the lapis is domed and set flush.
Celestial Geometry & Royal Lore
Inspired by the grandeur of ancient imperial courts, this piece bridges timeless Vedic ritual with celestial myth and divine symmetry. Every curve echoes sacred geometry, channeling courage, nobility, and timeless grace.
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STORY BEHIND
Firdaus
Twin peacocks, garden. Faceted clear quartz 30 mm, enamel behind the stone. CAD: 50 × 60 mm, 17 g silver, THAPA-AUG26-5011.
Paradise comes from an old Persian word for a walled garden. Byzantine mosaics set two peacocks beside a vessel of life; Mughal artists set a vase of flowers at the heart of the garden. Here the two ideas meet: a pair of gold peacocks, necks entwined, crowned in red, guard a vase of enamelled blossoms.
Over the flowers lies a disc of faceted clear quartz, the garden seen through dew. A wreath of filigree leaves, plumes grown into foliage, closes around it, a cluster of grapes at its foot.
Crystal tradition reads clear quartz as clarity, a stone that sharpens whatever sits behind it. In Indian poetry the peacock dances when the first monsoon clouds arrive, joy at its purest.
Firdaus, Persian for paradise, is for the woman who tends her own garden. The quartz keeps it clear; the peacocks keep it joyful.
THE IMPRINT — a garden carried
A walled garden is an old idea of paradise, because the wall is what makes it safe. Here the filigree wreath is that wall, the peacocks are the joy inside it, and the faceted quartz is the dew that keeps everything clear. Together they make a private paradise worn on the body: enclosed enough to stay hers, open enough to be joyful.